Jane Campion

Quotations

  • “Women often postpone their lives, thinking that if they’re not with a partner then it doesn’t really count. They’re still searching for their prince, in a way. And as much as we don’t discuss that, because it’s too embarrassing and too sad, I think it really does exist.” -Jane Campion

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  • “Women often postpone their lives, thinking that if they’re not with a partner then it doesn’t really count. They’re still searching for their prince, in a way. And as much as we don’t discuss that, because it’s too embarrassing and too sad, I think it really does exist.” -Jane Campion

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  • “It’s been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they’ve got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all.” -Jane Campion

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  • “You know, sex is actually not so original as the way people love or the stories behind each relationship, which is what you remember. Sex is sex in the end.” -Jane Campion

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  • “But I think it’s quite clear in my work that my orientation isn’t political or doesn’t come out of modern politics.” -Jane Campion

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  • “And, I mean, I think poetry does need to be met to some extent, especially, I guess, 19th century poetry, and for me, it’s just been so worth the effort. It’s like I’m planting a garden in my head.” -Jane Campion

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  • “I think I made good movies.” -Jane Campion

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  • “My musical knowledge is so bad it’s embarrassing. When composers discuss music with someone as primitive as myself, they have to talk about it in terms of senses and emotion, rather than keys and tempo.” -Jane Campion

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  • “Performers are so vulnerable. They’re frightened of humiliation, sure their work will be crap. I try to make an environment where it’s warm, where it’s OK to fail – a kind of home, I suppose.” -Jane Campion

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  • “There’s no artist in this world that doesn’t enjoy the dream that if they have bad reviews now, the story of Keats can redeem them, in their fantasy or imagination, in the future. I think Keats’ poem ‘Endymion’ is a really difficult poem, and I’m not surprised that a lot of people pulled it apart…

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  • “I didn’t like England. I couldn’t take the look of the place or the style of friendship. I need more intimacy from people than is considered okay there, and I felt that my personality and my enthusiasms weren’t understood. I had to put a big lid on myself.” -Jane Campion

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  • “But short films are not inferior, just different. I think the short gives a freedom to film-makers. What’s appealing is that you don’t have as much responsibility for storytelling and plot. They can be more like a portrait, or a poem.” -Jane Campion

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  • “With ‘Bright Star’ and with ‘The Piano,’ too, I felt a kind of sadness about it being in such a different era, because of my lack of experience with the era. And one of the ways I’d get over it is to remind myself that every film, even if it’s contemporary, creates its own world.”…

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  • “I think that the romantic impulse is in all of us and that sometimes we live it for a short time, but it’s not part of a sensible way of living. It’s a heroic path and it generally ends dangerously. I treasure it in the sense that I believe it’s a path of great courage.…

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  • “I did this Super-8 film at art school called ‘Tissues,’ this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.” -Jane Campion

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  • “I did this Super-8 film at art school called ‘Tissues,’ this black comedy about a family whose father has been arrested for child molestation. I was absolutely thrilled by every inch of it, and would throw my projector in the back of my car and show it to anybody who would watch it.” -Jane Campion

    (click to view listing)

  • “It’s been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they’ve got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all.” -Jane Campion

    (click to view listing)


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